Literati painting

Development and Status Quo of Chinese Literati Painting

中国文人画的发展和现状

Impact of " literati painting " on the artistic ideology of Chinese classical garden design

文人画对中国古典园林设计艺术思想的影响

Literati Painting Influence on the Spatial Pattern of Chinese Traditional Private Garden

论文人画对中国传统私家园林的空间形态的影响

The Features and Artistic Requirements of the Chinese Literati Painting

中国文人水墨画的特点及其创作要求

Theory of Chinese literati painting painting

中国绘画之文人画的历史演进及艺术特征

The generation of literati painting art must also have sufficient psychological , spiritual impetus .

文人画艺术的产生还必须有足够的心理、精神方面的推动力。

Research on Artistic Individuality of Japanese Literati Painting

日本南画艺术形式的研究

Influence to the Literati Painting by Zhuang Thought

老庄思想对文人画的影响

The Aesthetic Orientation of Literati Painting in Song Dynasty : Imagery , Spirit and Theme

两宋文人画中的审美意趣：尚意、主体精神与题材仕女画秋风纨扇的艺术图式与审美意趣

After the Song Dynasty , literati painting , which emphasizes on conception comes up .

宋元以后，文人画兴起，崇尚写意。

He went to China early time to study Chinese traditional literati painting and calligraphy from Qi Bai-shi .

他早年来华拜师齐白石学习中国传统文人画和书法。

Tan Tian 's practice , may could be used as another case of " Post Literati Painting " .

谭天的实践，或可作为“后文人画”的又一个案例。

The creators of Chinese classical gardens usually applied the theories of literati painting to their design and construction .

中国古典园林被称之谓文人园，在其设计和建造中多借用文人画的理论。

As a Chinese cultural heritage , this was the essential idea of traditional painting , especially in literati painting .

这是在中华文化的历史传承中，国画尤其是文人绘画的一种典型的存在型态。

But Sushi 's idea of literati painting took shape due to special sociological and psychological reasons .

但苏轼文人画观的形成，有其社会学和心理学方面的特殊原因。

From Yuan Dynasty , Literati Painting arose .

从元代开始，文人画兴起，绘画的主流由写实趋向写意。

Eventually , he formed its own independent style of painting , different from the art style of literati painting .

最终，他形成了一套自己独立的绘画风格，区别于文人画的艺术风格。

To appreciate the Chinese painting in an elegant way or common way is the sole standard of literati painting .

以“雅”“俗”观念来评品中国画，是文人画独有的标准。

In these commonalities , some aspects of traditional Chinese literati painting is the painting of the same .

在这些共同性中，些方面与中国传统文人画的绘画表达一致。

Chapter 4 is a conclusion , mainly analyzed the symbolic meaning of photographic symbols in the literati painting .

第四章是一个小的总结，主要分析文人画图像符号的象征意义。

Besides , as the theory of Chinese Literati Painting is always developing , its historical period is also worth paying attention to .

另外，文人画理论是一个发展的范畴，它的阶段性特征也是本文所考虑的重要问题。

Literati Painting Lacking Oxygen and Realistic Embarrassment

文人画文化缺氧与现实困境

A Closer Look at the Painting Spirit of Ming and Qing Literati Painting Through Kong Yanshi

从孔衍透视明清文人画的绘画精神

Su Shi art scholar thought formation , inorder to open the literati painting also pointed out the direction .

苏轼艺术绘画文人思想的形成，为开启文人绘画也指明了方向。

The Impact of Taoist Ideology on the Ming and Qing-dynasties Literati Painting

道教思想对明清文人画的影响

Its development is poetry , calligraphy , paintings , printed merging , the direct impact of literati painting .

其发展主要是诗、书、画、印相互融合，对文人画产生直接影响。

Formerly we have asked whether Dong Qichang 's " Literati Painting " concept is also contemporary .

本文前面追问董其昌倡导“文人画”的理念，是否具有当代性。

This paper dissertates that the period of Yuan and Ming Dynasty is the peak time in the development of Chinese literati painting .

元明时期是中国文人画发展的最高峰时期，总的发展趋势是由工趋于写，由收趋于放；

This chapter , a brief analysis of the impact of the painting in the backdrop of the Yuan Dynasty literati painting .

本章在元代文人画的大背景下对曹知白绘画的影响做简要分析。

It was his support that laid a solid foundation for the thriving of the literati painting in the Yuan Dynasty .

而来自于他的种种帮助，为元代文人画大兴奠定了坚实的基础。